The Ed Wood Awards honored the worst horror films ever made. The Awards were hosted by indie-filmmakers Ted A. Bohus and Fred Olen Ray. This DVD is a love letter to those guerrilla filmmakers who didn't make great art, but rather lovable trash which also manages to brighten their audience's day by giving them a few much needed laughs. Not such a bad legacy to have!

Martin Landau talks about how he portrayed Bela Lugosi in the movie. He mentions the similarities between Lugosi and his own career, and how he worked on the Hungarian accent. Rick Baker, who won an Oscar for the make-up effects, discusses how he approached transforming Landau into Lugosi, and how much he wanted to do the project.

Production designer Tom Duffield shows how he created the look of the film and talks about the challenges of filming in black and white.

Introduced by Jonny Depp, this 14 minute behind the scenes featurette shows the filming of several scenes, without narration or interviews.

A hysterical documentary which uses footage of Ed Wood's movie to tell the story of his life. It may not be a deep analysis, but shows distinctly how Ed's life strongly influenced his own films.

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.

在生命的最后三天里，饱受幻觉和抑郁折磨的失败电影导演艾德·伍德 Jr. 试图通过拍摄最后一部宏大的怪兽电影，重现他 B 级片职业生涯的昔日辉煌。

The story of brothers Glen and Leonard Wood, who formed The Wood Brothers - the oldest active team in NASCAR.

An ancient oak wood in the heart of England is as full of beauty and drama as anywhere on Earth. Philippa Forrester spends a year witnessing its secret life - the sparrow-hawk terrorising blue tits, fox cubs learning to stalk rabbits and a buzzard looking for love.

A luncheon party gathers to celebrate a wealthy unmarried man's birthday; his sister hopes he'll marry Sonya, the daughter of a selfish gout-ridden old professor who makes life Hell for his son George and his young wife, Helen. At the luncheon is Khrushchov, a passionate environmentalist, called "the Wood Demon" by all, in love with Sonya and she with him, but neither will say it. Two weeks later there's a family meeting at the professor's estate; two weeks after that, a supper at the cabin of Dyadin, who's cheerful to all. George, Helen, Sonya, and Khrushchov are each suffocating. Can any of them take action?